This legend tells of a poor man from Aherlow who had such a great hump on his back that when sitting down, his chin had to rest on his knees to support it. He was nicknamed Lusmore, as he always wore a sprig of a foxglove in his hat. The man was mild-tempered, but because of his deformity rumours circulated about him and many feared him. He was a skilled weaver, making baskets and straw hats, but also had great knowledge of herbs and charms.
One night, Lusmore was returning from Cahir and on his way came upon the moat of Knockgrafton. He decided to rest his weary feet and gaze upon the moon, when he suddenly heard an unearthly melody sang by many voices, one verse repeated over after a pause:
Da Luan (Monday), Da Mort (Tuesday),
Da Luan (Monday), Da Mort (Tuesday),
Da Luan (Monday), Da Mort (Tuesday),
After the verse was repeated three times, Lusmore joined with the singing, adding augus Da Cadine (and Wednesday) in the pause. The fairies were so thrilled by this they at once decided to bring Lusmore to them. He swirled in a whirlwind to the music he heard, welcomed by the fairies and placed above all of their musicians as an honour.
The fairies then consulted one another in hushed voices, until one stepped forward and said:
Lusmore! Lusmore!
Doubt not, nor deplore,
For the hump which you bore
On your back is no more;
Look down on the floor,
And view it, Lusmore!
At these words Lusmore felt happy and light, as he watched his hump roll down the hill beneath him. He was then free to look up and admire the beautiful sights, until he became overwhelmed and dizzy, falling asleep. When he woke up, he found himself on the moat once again, with the sun shining brightly upon him. He checked for his hump but it was no longer there, and he was also pleased to find his clothes were all new, fashioned by the fairies.
He set off again on his journey to Cappagh, where no one recognised him without his hump, so it took some hard work to persuade them who he was. His story soon spread, and one day an old woman knocked on his door looking for him. The woman explained that she was hoping Lusmore would reveal the charm he used to get rid of his hump, as her son was suffering with one of his own. Lusmore told the woman everything in detail, for which she thanked him and returned home to retell it to her son โ Jack Madden.

The woman brought her son to the moat at Knockgrafton, and soon enough Jack heard the fairies sing the new and improved version of their song. However, Jack was in a rush and did not sing along with the fairies, nor did he wait for the right moment in the song but simply yelled augus Da Cadine (and Thursday), augus Da Hena (and Friday).
The fairies were not pleased. They whisked him up in a whirlwind, screeching and screaming about the spoilt tune, until one again stepped forward and said:
Jack Madden! Jack Madden!
Your words came so bad in
The tune we felt glad in;
This castle you’re had in,
That your life we may sadden;
Here’s two humps for Jack Madden!
At these words, twenty fairies lifted up Lusmore’s hump and put it on top of Jack’s own, then threw Jack Madden out of their castle back to the moat, where his mother fund him half dead. For fear of having more humps, nothing was said and Jack was brought back home but died not long after. It is said he left his curse to anyone who would go to listen to the fairy song.
We can look a little closer at the symbolism hidden in the story. Foxgloves are often associated both with the fairies and with witches, which Lusmore likely was given his knowledge of charms and herbs. The moat is also likely a liminal space, between land and water, where the Otherworld is a little closer.
This tale showcases the importance of music and manners to the Fey Folk, and we know from other stories musicians were often taken by them to provide entertainment. It also serves as a good reminder, that while they are powerful beings and can be helpful if they so desire, they can also be quick to anger and their reactions may be extreme. It is therefore sensible to tread carefully when approaching them.
Can you see any more symbolism or Otherworldly associations?
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Adapted from Celtic Fairy Tales (1990) by Joseph Jacobs.







